What draws me to theater is the chance to collaborate and improvise with a director, designers, a script, or an idea - to contribute to the creation of a living, breathing work of art. This is what is so vital about theater - it is immediate, inescapable, and alive. It is the process through which words on the page become an image, and then resolve to something in between. A successful piece lives in the room with you captivating all of your senses, but does not rely exclusively on any one image or moment. It creates an entire world into which the audience is invited. A successful design is one that supports and textures this world, and is seamlessly integrated into the life of the work. My work strives to support. To layer. To shift perspective and throw into relief. To expand and to clarify the story of the piece.
Oona Curley is a lighting and scenic designer from New York City. She has designed in New York (ArsNova, Atlantic Theater Co., The Vineyard, The Cherry Lane, Clubbed Thumb, Joe's Pub, JACK, La MaMa, M-34 Productions, The New Ohio, NYU/Tisch, Theater for the New City), Philadelphia (The Arden Theatre, Opera Philadelphia, Curtis Opera, The Bearded Ladies Cabaret, Team Sunshine Performance Co., Theater Horizon, FringeArts, Shakespeare in Clark Park), and regionally (The Cosmopolitan of Las Vegas, Brown/Trinity Rep, Indianapolis Symphony Orchestra, Sharon Playhouse). Oona received her MFA from NYU/Tisch, where she was awarded the J.S. Seidman Award for Design Excellence, and was NYU's nominee for a Princess Grace Award. She holds a BA from Brown University, where her designs earned the Zonta Award for Theatre Arts and the Weston Award for Theatre Design. Oona is an associate artist with the Bearded Ladies Cabaret in Philadelphia, a company member of Lightning Rod Special, a staff designer at Joe’s Pub, and a Visiting Assistant Professor of Lighting Design at Connecticut College. Proud Member USA 829.